Zeiss
Zeiss CP.2 Super Speed
Compact Prime Super Speeds. T1.5 Full Frame.
- Focal
- 35–85mm
- T-stop
- T1.5
- Mount
- PL
ZEISS · Oberkochen
10 primes 15 – 100mm T1.5 – T1.8 PL
The benchmark cinema prime.
Built from scratch for large-format sensors, the Supreme Primes deliver what Zeiss calls “gentle sharpness”: resolving power that rivals Master Primes but with an organic quality that flatters skin and avoids clinical harshness. At T1.5 wide open, slight spherical aberration produces beautiful softness that cleans up as you stop down. The 16-blade iris creates circular bokeh highlights with smooth in-to-out-of-focus transitions. T-star coatings keep flares contained. Colour-matched across the range, every focal length intercuts cleanly.
Character profile
Lightweight. Unified mechanics. Data-rich.
Five axes plotting how this set behaves wide-open vs a neutral modern reference. Larger area = more pronounced trait.
Focal lengths
| Focal | T-Stop | Close focus | Weight | Front Ø |
|---|---|---|---|---|
| 15mm | T1.8 | 14" | 2.24kg | 114mm |
| 18mm | T1.5 | 14" | 2.27kg | 114mm |
| 21mm | T1.5 | 13.7" | 1.61kg | 95mm |
| 25mm | T1.5 | 10" | 1.42kg | 95mm |
| 29mm | T1.5 | 13" | 1.61kg | 95mm |
| 35mm | T1.5 | 13" | 1.40kg | 95mm |
| 50mm | T1.5 | 18" | 1.22kg | 95mm |
| 65mm | T1.5 | 2' | 1.63kg | 95mm |
| 85mm | T1.5 | 2'9" | 1.42kg | 95mm |
| 100mm | T1.5 | 3'9" | 1.69kg | 95mm |
Talking points
10 matched focal lengths averaging 1.65kg each.
Light enough for gimbal, drone, handheld
95mm front diameter on 8 of 10 lenses with unified gear positions.
Lens swaps take seconds, not minutes
eXtended Data metadata streams real-time distortion and shading data for VFX and virtual production workflows
The workhorse set for prestige productions: Glass Onion, Lovecraft Country
Technical
Shot on these
Glass Onion (2022)
DOP Steve Yedlin Dir Rian Johnson
Lovecraft Country (2020)
HBO series
Credits reflect productions historically shot on this lens family. Specific units may vary.
Heritage
Origin
Launched by Carl Zeiss (Oberkochen, Germany) in 2018, completing the 14-lens family with the 15mm in 2022. The Supremes represent a philosophical shift in the Zeiss cinema lineage: where Master Primes pursued absolute clinical precision, the Supreme Primes deliberately introduce organic rendering while maintaining modern performance. Designed from scratch for large-format digital cinematography, not adapted from Super 35 or still-photography optics.